Race and gender might have always been rigidly determined social categories, but class was more mutable when it came to access to cultural emblems like the visual and literary arts (Levine). In "Cartoon and Comic Classicism," Smooden argues that scholars are deeply conflicted about the boundaries between high and low art. Cartoons, and the analysis of cartoons, are a perfect example of how, when, and why the boundaries between highbrow and lowbrow become blurred. Cartoons are artistically discreet modes of visual culture, and they often convey social and political commentary that is far more in depth than canvases hanging on the walls of art museums. Some mass-produced popular art carries with it an element of subversion, buried beneath the surface and only visible as satire by those keen enough to notice it -- whether high or low on the social ladder. Artists like Mark Ryden embody lowbrow, popular art and yet convey a sense of aesthetics and insight not dissimilar from that...
High and low are not adjectives used to qualify the quality of the artwork itself, but only the nature of the consumer, the viewer, or the audience. The designation of high and low is artificial as well as mutable: as Levine points out is the case with Shakespeare as well as opera. What is lowbrow today may be highbrow tomorrow and possibly even vice-versa. In a free and democratic society, the lines between high and low must become as blurred as possible to enable meaningful discourse about art.
Art History - High Renaissance The contextual knowledge of the era of High Renaissance and Mannerism is important as its integral to any study of work emerging from the period. The Renaissance movement took place in Europe from the early 14th to late 16th century, which witnessed a revival of interest in the values and artistic styles of classical antiquity especially in Italy. Early in the movement, the concept of Renaissance
Art Culture: Public Space Art Public art like that of Koon's Train (2011), Serra's Tilted Arc (1981), Lin's Vietnam Veterans Memorial (1981), and James' Sea Flower (1978), ignite discussion to the point of its modification, re-arrangement, or removal. The reason for this controversial treatment of public art is its ability to embrace a variety of aesthetic practices. The adoption of different aesthetic values like poster art, outdoor sculpture, earthworks, multimedia projections,
High Renaissance Movement and Its Most Celebrated Artists The Renaissance is referred to as a period of time where there was a great cultural movement that began in Italy during the early 1300's. It spread into other countries such as England, France, Germany, the Netherlands, and Spain. This era continued into the late 1400's and ended during the 1600's. The Renaissance times were a period of rebirth and during this time
Art Museum Visit This particular piece of art is a limestone statue, which in all likelihood, originally was a painted piece. Limestone was a precious mineral, and would have most likely been honed and by prepared by a servant or slave for the artisan to work with. This statue is considered to be sculpture in the round as there are no additional supports required (Barnet 113). A great deal of detail
Godard believed that cinema should be an extension of criticism, a concept that he is able to achieve in Le Mepris through his criticism of traditional Hollywood cinema and the restrictions imposed on directors who were struggling to define their style and voice their interpretation of stories set before them. Godard is able to inject his personal interpretation of Moravia's novel by writing the script of the film and
Sometimes the line was rather vague and athletes endorsed violence as a legitimate response." (Miracle, 92) Sports promote violence because physically harming opponents is a natural part of the game, and just increasing the amount of harm enough to disable them is always a seductive option to losing. This promotion of violence would not be true if students would just play for fun -- no one would remain friends with
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